Metal Bookends

Let’s face it, the work week is generally a five-stage-run of tedium. But this week, Doug and I were fortunate enough to have two concerts to keep the will to live fresh. Monday night we saw local band Villains (“Never abandon the slut train.”) open up for Chicago heavy metal killahs Superchrist. The show was unfortunately sparsely attended, which is a got-damned shame. Do yourself a favor and check out both of these bands.

Friday, Doug opted to stay home, but I went back to St. Vitus to see one of my favorite black metal bands: Inquisition. This is the third time I’ve seen them (although I didn’t see much of their set at RODIII), and these guys simply do not disappoint. I was in the front, just to the left of Dagon’s mic, and it made everything 100x more intense. Which kind of boggles my mind, because Inquisition shows are ALWAYS intense. They played a bunch of my favorite songs, including Desolate Funeral Chant.

Next Friday is another KILLER show: Autopsy, Funebrarum, Unearthly Trance and Undergang. Those who read my MDF report from last year will remember that Doug and I got to meet two of the guys from Funebrarum, and they are top-notch humans. I’m really looking forward to this show as sort-of the prelude to MDF X. It’s gonna crush.

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Airlock Adventures

I took a look in the fermentation chamber (aka the bedroom closet) today to see how the Belgian strong dark ale was doing and was pleased to see that fermentation had taken off quite vigorously. Perhaps a touch too vigorously, as there was a steady stream of bubbles coming out the airlock and most of the sanitizer had been pushed out. I tried adding a little more sanitizer to the airlock and watched as it all bubbled right out the top.

LOTS OF BUBBLES!!!


I thought that was amusing and only mildly alarming, until I took a look after dinner and noticed that krauzen had made its way up through the airlock and out onto the lid of the fermentation bucket. Not quite as amusing, and a bit more alarming.

The things that look like dress shirts near the top left and top right corners of the photo? Those are the shirts I wear to work. Surprisingly few people complain that I smell like beer.


Anyway, rather than risk the airlock being forcibly ejected from the top of the bucket with an accompanying spray of yeast and foam, I decided to opt for a blowoff tube. For the moment, there is peace in the bedroom closet.

The growler is from Shawnee Craft Brewing, who make excellent beers.

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Homebrew Sunday – Two Month Catch Up Edition

Two months ago, when I last posted about homebrew on here, I had just bottled the KK and racked an English barleywine. The KK has turned out quite nicely, with definite caramel notes from the malt and sugars plus an almost fruity note from the Bramling Cross hops, which serve as a nice foil to the earthy Goldings.

The barleywine spent a month in secondary. One gallon was left alone while the other gallon had oak cubes soaked in Lagavulin whisky in the jar. Both turned out quite delicious, with the oak-aged version (dubbed The Howler*) showing some pleasant woody notes and the unoaked version (dubbed The Limper*) tasted like a drier version of JW Lee’s Harvest Ale. Both beers are definitely drier than intended, and have already started to take on some port-like character which I usually associate with aged barleywines. Next time around, I want to get the starting gravity higher in order to hit a similar ABV (11.8%) yet have a sweeter, fuller bodied finish.

Calypso Pale Ale. It does not dance.

The Calypso Pale Ale, our experiment with a relatively new hop variety called Calypso, turned out very well. It’s roughly 5% ABV and very clean drinking, with notable floral and lightly fruity flavors from the hop. I took a bottle to a recent homebrewer meetup where it elicited the comments “This would be a great summer beer” and “This is definitely a recipe to make again.” It’s a bit murkier that I hoped, though I’m not sure if that’s due to my usual inability to effectively clear up the wort in all-grain batches or the yeast (Wyeast 1056 American Ale) taking a lot longer to flocculate out.

Ever since I started repitching yeast about a year ago, I’ve started planning our recipes in sets with common yeast and increasing strength. The pale ale was the first of four beers brewed with the 1056 yeast. Next was batch #31 and dubbed the Wilbert Montgomery ale, named for the guy who wore 31 on the Eagles back when I was a kid. I suppose you could call it a brown ale, a dark old ale, or simply a dark ale. I usually go with American strong dark ale, as it’s fairly strong (7%), it’s quite dark, and it’s an ale brewed with American yeast. I suppose I like descriptive style names. Originally modeled after beers like Pretty Things’ St. Boltoph’s Town and Smuttynose’s Really Old Brown Dog, I ended up taking the recipe I drew up for the dark mild I made in October and doubled everything.

1.100. I was so proud I needed to take a picture.

That seemed like such a fun idea that I decided to triple the mild recipe for the fourth beer brewed with the 1056, which is called Stormbringer*. It is a 2 gallon batch, which meant I could make it very strong without having to resort to buying lots (or any) extract. I shifted the percentages slightly in the end, as I didn’t want the chocolate malt to overwhelm the entire affair. It was a proud brewday, as I broke the triple-digit gravity points boundary for the first time with a potent 1.100 original gravity. I racked it a couple weeks ago to age for a month before bottling and it’s down to 1.020, which means it’s similar in strength to the barleywines yet has a much bigger mouthfeel. Both the Wilbert Montgomery and the Stormbringer are rich, somewhat chocolatey, and a little nutty. The Stormbringer is definitely sweeter, which makes sense given its relatively high finishing gravity.

The hop additions for the Double Joe Montana. From left to right: 60 minute, 20 minute, 10 minute, and 0 minute additions.

The third of the four 1056 beers is the Double Joe Montana, which is batch #32 (i.e. twice the 16 that Joe Montana wore for the 49ers, Martha’s team from her younger days). This is a double red ale with lots of hops, though the emphasis was on flavor and aroma hops rather than bitterness. Something like 80% of the hop additions came in the last 15 minutes of the boil, with the largest dose being added at flameout. We opened up the first bottles on Friday night and were quite pleased with both the color (brick red) and flavor (lots of malt without too much sweetness).

The mess left in the bottom of the kettle -- hops, raisins, Zante currants, and a cinnamon stick. Tasty.

Back in January we were up in Massachusetts for my nephew’s second birthday party and pouring bottles of the Belgian strong dark ale (more or less named for my nephew) we’ve made for the past two Christmases. We got to talking about the fact strong ales of this sort benefit for several months of aging before they reach their prime and hit upon the now obvious idea of actually brewing them many months before Christmas. Seems so simple in hindsight… Anyway, two weeks ago I did an all-grain four gallon batch of a straightforward Belgian brown which serves three purposes: provide a fresh beer to blend with the six-month-old sour at bottling time, be the base beer for a new sour (this time with the Wyeast Roselare Blend providing the bugs and pinot noir soaked oak cubes adding character), and build up the yeast for this year’s strong dark ale. Yesterday I brewed the 2012 St. Aedan’s Ale. The changes from last year included dialing the amount of spices (nutmeg, allspice, and cinnamon) slightly down, mixing the candi syrups (a pound each of D-180 and D-45 from Candi Syrup, Inc.), and making the hop presence even smaller (BU:GU ratio of 0.21 with the no flavor or aroma addition).

Next weekend we’ll be bottling what we can of the sour with oak and dates, then there will be no brewing happening until mid-April as we’re off on vacation for the first two weeks of next month.

*At some point, we decided to begin naming very strong beers after members of The Ten Who Were Taken, a group of enormously powerful wizards from The Black Company series of books by Glen Cook. The Limper, The Howler, and Stormbringer are the first three names we’ve used.

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High Spirits — Another Night

An Overlooked Best of 2011

It’s been a long time since I’ve put an album on unending repeat, but the past two weeks have had a very consistent soundtrack. Chicago-based High Spirits delivers some of the most unapologetic 80s hard rock I’ve heard since, well, the 80s. Think of a million Friday nights from 1980-1986 with a soundtrack of Journey, Scorpions, REO Speedwagon and Cheap Trick, and you have an idea of what High Spirits sounds like. Thing is, I was never really a fan of that kind of music (save for Scorpions and Cheap Trick) back then, so this isn’t really a nostalgia trip for me. It’s a celebration of a kind of music that has gone deep, deep underground and hibernated for 30 years.

I cannot wait to play this at the next party we throw. If I had my druthers, in 10 year’s time my friends will all drunkenly howl along with “Full Power” or “You Make Love Impossible” in the same way they do today when some jackass (not me) puts on “Don’t Stop Believin’.”
You can buy an MP3 download from Amazon. But do yourself a favor and get the hard copy. CDs and LPs are available Hells Headbangers, or directly from Professor Black, the man responsible for this fine music.

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Christmas in Oregon – The Beers, Part 2

On our last full day in Oregon, we grabbed a Zipcar early in the morning and set off for a beer-fueled adventure on the coast. The drive took us through the Tillamook State Forest. At some point, we passed through the amusingly named ghost town of Idiotville. Once on the coast, we drove through the town of Tillamook and saw the high school stadium, which proudly declared itself Home of the Cheesemakers. Sadly, I can’t find any mascot pictures online.

We saw no pelicans while at the Pelican Pub, though I did spot one further down the coast.


The flight of Pelican's standard offerings, plus the Bridal Ale at the far right.

Our destination was Pacific City and the Pelican Pub and Brewery, located right at the edge of the Pacific Ocean.

I ordered a standard sampler featuring a cream ale, an IPA, a Scottish style ale, a brown ale, and a stout to go with my lunch, which was a hop-crusted tuna steak sandwich. The sandwich was incredibly tasty, though I would not have guessed there were hops involved in the preparation without being told. The beers were straightforward and well made. Our waitress mentioned that Dory’s Dark Ale, the brown ale, was the first beer made by the brewpub. I appreciate details like that when visiting a new place. The beers were all solid brews, and I’d happily order any of them on tap, but the highlight of the visit was the flight of various vintages of the Stormwatcher’s Winterfest barleywine and its barrel-aged version known as Mother of All Storms.

The flight of three vintages of the Stormwatcher's Winterfest barleywine and two vintages of Mother of All Storms bourbon barrel aged barleywine.

Pelican describes the Stormwatcher’s Winterfest as an English barleywine, and that’s an apt description, though it’s perhaps a bit darker than JW Lee’s Harvest Ale, which I consider the hallmark of the style. Still, the beer is all about the barley, with an almost imperceptible hop presence. My tasting notes run something like this:
  • 2011(SW) – “Sweet gooey malt bomb. Caramel nose and flavor”
  • 2010(SW) – “Cinnamon toast in nose. Slightly sweeter. Dark fruits.”
  • 2008(SW) – “Almost a toasted nut character to the nose. Sweetness mellowed out to allow more flavors, like dates and figs.”
  • 2011(MoAS) – “Very nice. More of a bite, understated slight caramel bourbon presence.”
  • 2010(MoAS) – “Biggest bite of all the beers, though more from the bourbon and booze than hops.”

It’s safe to say we spent quite some time at Pelican as I slowly sipped my way through the flight. While sitting there, we watched a storm roll in off the ocean and chase the handful of people and dogs from the sand.

The Rogue brewery, or Rogue Nation World Headquarters, as they call it.

While looking over the map and sorting out a route, I noticed that hugging the coast for a while would bring us to Newport, OR, where we could turn eastward for a straight shot to Corvallis, our final destination of the day. Newport just so happens to not only be the end of US-20, it is also the home of Rogue Ales. To get to the tasting room/restaurant in the brewery, you need to wind your way along a path that passes between a number of fermenters and a stack of barrels before you reach the bottle store, where stairs take you up to the bar. When you sit down, you are greeted with the shot of the day, a 4oz sample of one of the 40 or so beers on tap.

The Yaquina Bay Bridge. Rogue sits at the southern end.

We sat down to two small glasses of Mogul Madness, a winter warmer. The Christmas-in-Oregon sampler madness continued with four more small pours, the highlight of which was the Chatoe Wet Hop ale.

By this point my taste buds were a bit blown out and my head was a little fuzzy. Martha drove us off to Corvallis, where we wandered around the Oregon State University campus and peered in the windows of greenhouses, wondering if there might be experimental hop varieties growing inside. We then made our way to the local brewpub, Block 15, for dinner and yet more beer. I stuck with the seasonal theme, opting for the 12 Hops of Christmas, a double IPA that was not nearly as hoppy or bitter as the name suggests, and the Chocolate Porter, which was every bit as chocolaty as the name suggests. We struck up a conversation with the super friendly bartender, who let us know some interesting info about the pub, such as the fact OSU fermentation science students get occasional opportunities to brew a batch at the pub and the OSU professors once showed up with a pile of experimental hops which they made into an IPA that sold out in a week. He also mentioned that Block 15 is building a coolship in the ‘wild half’ of their basement, so be on the lookout for some interesting wild ales to be coming out of that area. Of course, you’ll likely need to make a pilgrimage to Corvallis to try them out, but I’d say Block 15 is worth the trip.

And if Block 15 is a bit too packed, check out Les Caves next door, a more upscale beer bar owned by Block 15 with a diverse tap list and a massive bottle selection focusing on imports and more unusual craft beers. We stopped by long enough to have a glass of Beer Valley’s Leafer Madness IPA, but I easily could have spent hours of time and many, many dollars exploring their bottle list.

And so ended our day on the Oregon coast, save for the drive back to Portland, which featured lots of Speedwolf played at a high volume, which is only proper.

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Goatfago. The Best-Worst Black Metal Ever Recorded

Goats. Sharks. Abominators.

Terrible things happen when Doug and our friend Mike start in on the craft brews. Sometimes, it means ordering multiple plates of pickled eggs with jalapeno powder. Sometimes, it means that we decide elf-based erotic literature must be purchased in order to perform live readings of that horrible shit to the unsuspecting (we thankfully sobered up before any of these treasures were actually purchased). And sometimes, it means that they convince me (not that I needed much convincing, considering that I was sober for this) to buy bizarre cassette tapes featuring animals locked in mortal combat on the album art.

Goat Shark Abominator is a split release between the Danish band Goatfago (by all measures a giant piss-take on the war metal subgenre) and the California band Gorphyryac (black thrashing metal). Gorphyryac are actually pretty good. They like sharks, their riffs have some bite. Goatfago, on the other hand…well, they’re awesome in that jaw-dropping WTF is this shit? kind of way. They have what might be the world’s worst drum machine thipping away in the background, with some mid-pace raw black metal howls alongside. But what really sets Goatfago apart is their dedication to a theme. Gorphyryac like sharks, sure. But check this Goatfago tracklist out:

1.Goatromantication
2.Paradise In Goat Vomit
3.In Reverence of Goatchrist
4.Devil Cat Goat Tusken
5.The Gospel of the Goat
6.The Boar Is Mightier Than the Goat
7.Urine Dripping From Goats Bladder
8.Struck By Infernal Goatlust
9.Ritual For the Goat Boar
10.Heroin Injected Into a Goat

It might not be the BEST $6 I ever spent, but it’s damned close.
(Analog Worship in the US still has copies. Otherwise, you can buy it directly from the label, Silver Key Records)

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Buying Music From Smaller Record Labels and Distros

Despite the existence of the internet, buying underground metal records (I am using “records” to encompass all recording formats: CDs, LPs, 7″s, cassettes, etc) is pretty much the same now as it was in the 80s and 90s. If you wanted non-mainstream music and you didn’t have a killer record store in your area, you had to order directly from labels and distros. That meant getting a print-out of their catalog, noting down the IDs of what you wanted, sending a letter (and some carefully concealed cash or a money order) to the distro and waiting. And waiting. And sometimes some more waiting.

Today, the snail mail has been replaced with email, and the cash has mostly (but not entirely) been replaced by Paypal, but the idea is the same. And while some have fully automatic web stores, others still finish the transaction with emails. The one thing that hasn’t really changed is the nature of these small distros and labels: they’re still run by one person or maybe a couple of people, on their free time, out of a garage or spare room in the house. As such, don’t expect that you’re going to get your records at lightning speed. I can’t count the number of whiny posts I’ve seen online about a distro being “slow” because it took two weeks for someone to get their stuff via Media Mail. Look, everyone understands the legit fear of being ripped-off, but give the poor bastards at the supply end at least three weeks of grace period before you start grousing at them about your order. You still have plenty of time to rescind that Paypal transaction at that point. Shit happens — illness, death in the family, shitty week at work — and sometimes an order can’t get filled for a week or more.

This isn’t to say that there aren’t rip-offs or flakes. There are. And most have been outed on a variety of forums or websites. If you’re unsure of a label or distro, google them with the phrase “rip-off” or “unreliable” or whatever. That should give you a good idea of their reputation.

Labels and distros that I’ve dealt with lately that have been reliable and fast include Nuclear War Now!, Dark Descent Records, Analog Worship, AJNA, Mvrder Svicide Incidents, Sepulchral Voice, Tank Crimes, and Hells Headbangers. If you like some of the stuff I’m going to be posting, give the bands and the labels your support and buy the music. Or, if you don’t buy music for whatever reason, at least buy some merch — t-shirt, patch, pin, whatever — or see ‘em live.

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Metal, We Has It. Charon — Sulphur Seraph (The Archon Principle)

Charon -- some ass-kicking black/death metal.

The post office has brought me many delights since the New Year. Probably the most impressive ass-whupping, jaw-dropping awesomeness is the debut album from German black/death band Charon. I cannot say enough good things about Sulphur Seraph (The Archon Principle). It has a crushing, meaty death-metal backbone, but mixed with a huge amount of black metal nastiness and thrashy riffage. I liked it so much that I’ve also ordered the split 7″ they made with Hatespawn in 2011, and I’ll buy the vinyl when that gets released, too.

Youtube embed of track 3 below. Listen to it, and if you like it, go buy yourself a copy! Fans in the United States can buy from AJNA, or you can go directly to the label, Sepulchral Voice. They both take paypal and are reliable. I am actually going to make a post specifically about dealing with small labels/distros for those metal fans more used to buying their music from Amazon.com, but basically, just be ready to wait a couple of weeks for your stuff.

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Only Incidental Birding

I haven’t been birding for awhile. This is partially because we’ve been traveling the last couple of weekends and partially because of ass-clenching laziness. But the red-winged blackbirds are coming back and that means that the spring migration is just about here! Warbler season ahoy!

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Christmas in Oregon – The Beers, Part 1

We spent the week from Christmas to New Year’s Eve out in Portland, which has a well-earned reputation as an excellent beer town. In our 7 days there, I drank a grand total of 53 different beers, at least 40 of which were new to me. My liver is grateful that the majority of those 53 beers were sampler-sized pours at various brewpubs and brewery tasting rooms.

\m/ Sleighr - Raindeer Blood \m/

We landed in Portland late on Christmas Eve and my first beer of the week was a few hours later when Martha’s brother handed me a bottle of Ninkasi’s Sleighr, which they describe as a “double dark alt.” It was massively malty and the perfect fortification for helping to assemble our nephew’s new toys. The label scored bonus points with us thanks to its play on Slayer’s logo. Later that day, I had Ninkasi’s Spring Reign Ale, which was a pleasantly hoppy and refreshing pale ale that paired well with the first ham sandwich of my life.

Monday we caught the season opener for the Trailblazers. There was talk of trying to make it to Upright Brewing for their pregame tasting room hours, but that was not to be. We did bring a bottle of one of their beers, a hoppy saison featuring all Pacific NW ingredients. I was curious to try their beers as they had been using the Wyeast 3711 French Saison yeast as the house yeast, which is my saison yeast of choice for my summer saisons. The Upright Five was easy-drinking with a hint of funk and a bit of sharp sourness that reminded me of the hoppy saison I made last summer. I wonder if the 3711 just doesn’t play well with hops.

At the Rose Garden, where the Blazers play, the beer situation was the inverse of almost every other sport venue in the country. Nearly every concession stand had at least one craft beer on tap, and all of the large bars were local(ish) microbreweries. You had to make an effort to find Coors Light or Bud Light. Win! I hit up the Laurelwood stand twice, once for their hoppy red ale and once for their porter, which was decently roasty, super drinkable, and not too sweet, unlike many of the porters I had later in the week.

The first proper pub of the week was the Deschutes pub in the Pearl District. Sadly, I had a cold at that point so much of the beer experience was lost on me. The Abyss, their imperial stout, was excellent as always, while their Chainbreaker “white IPA,” a witbier hopped like an IPA, did nothing for me, though I’m not much of a fan of witbiers in the first place. Later in the week I had a cask-conditioned double IPA there called Hop City II, a nod to Rip City, one of Portland’s nicknames. Big and fruity with the healthy bitter kick you expect from pale ales in the Pacific Northwest. The Yellow Belly Burger, a hamburger with (house made) root-beer braised pork belly, candied yellow tomatoes, and jalapeño puree was a thing of wonder.

Greg (hopless beer brewed with squash), Blue Dot (double IPA), Fred (strong golden ale), and Adam (old ale).

Later in the week we walked across the Morrison Bridge to visit Hair of the Dog. The sampler revealed nothing new (Adam is still my favorite beer of theirs), but the bottle list is where the true treasure is found. It features various barrel-aged versions of their beers which can be difficult to find outside the brewery, especially on the East coast. We tried the 2009 Cherry Adam from the Wood, a version of Adam which spent several months on cherries in bourbon barrels. It was awesome — malt, tobacco, and subtle cherry flavors abound in a beer so rich it took most of an hour to drink a 12 oz bottle.

Little did we know that we were only a few blocks from the Cascade Brewing Barrel Room, which features a variety of sour ales alongside more traditional NW craft brews. We found our way to Cascade’s brewpub, Racoon Lodge, on Saturday. By that point, I found myself beered out, much to my surprise. So it goes. At any rate, I found the highlight of the visit to be the Sang Noir, a sour red ale aged in whiskey and pinot barrels, then blended with cherries. Quite tart and refreshing, with a welcome dry finish.

The final beer of the week was a Deschutes Inversion IPA at the Portland airport. I chose to enjoy a glass there, though there are multiple bars in the post-security sections of the terminal that offer growler fills for sale, just in case you need some fresh beer for the flight. Cheers!

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